Back then from our gnrsource website:
Axl: There's also a song tentatively titled "Without You". Last night, I wrote a whole new intro to that. It just appeared out of nowhere, like the verses - just little pieces that have come whole.1
Axl: My friend Del James wrote us a short story called "Without You" that was influenced by me and my ex-wife in some ways. And I ended up writing a song that fit that story, which was "Estranged".
Axl: I feel "November Rain" and "Estranged" have a chance at getting embedded in music culture, so I'm gonna fight for them and seed them with as many people as possible. I get bummed when I hear a great track off a record and the artist says, "Yeah, but the public wasn't into it." I'm like, what do you mean? The public wasn't into "Jungle," either.2
Slash: "November Rain" and "Estranged", Axl's been kicking around for a while, and I've heard him screwing with little ideas on the piano for them.
Slash: On some songs, like "Estranged," I take the tone knob and I turn it all the way down on that particular pickup.
Axl: There's something really wild, for me, in performing "Estranged" 'cause all of a sudden I realized I don't want to be sitting at the piano playing this song to keep the energy of the song moving live. I need to be moving around and there's something about being able to be up there moving around during it that's actually a present, a gift or something. Being able to dance and rejoice in a song. That came from situations and emotions that were killing me. You know, we pretty much mean everything we say. We don't put anything down that we're not willing to stand behind or attempt to stand by for the duration.3
Slash: It's one of Axl's babies, where he sat down and he had something he really wanted to express, and he wrote it on piano. And so there came the time when the band had to figure out where these? where the bass is gonna come in, where the guitar is gonna come in. This and that. And so, I did all the guitar arrangements on it. And wrote? umm, like, the guitar melodies, which are pretty important to the song now, I would say. 'Cause you recognize 'em, you know. And? That's that. That's? that's why I have credit on it.4
Slash: "Estranged" is something that I like playing, but I have to concentrate, because I have to make sure those melodies are happening.5
Axl: [I'd like to hear] Nine Inch Nails do anything, do "Estranged".6
Slash: Axl generally tinkered around on the piano or sat and listened to some of the ideas we'd worked out. All things considered, we managed to produce a few good tunes: "Estranged", "Bad Apples" and "Garden of Eden". Over all, I found our time in Chicago to be a huge waste.7
Slash: "Estranged" was a song that Axl had been working out on piano for a long time - he'd been playing the same parts over and over in Chicago and afterward; it was clear that it was working itself out in the head. I had started writing guitar parts for it back in Chicago, so it came together in no time once we focused on it.8
The footnotes 1-8 are:
1 Axl (1989.08.10). The Rolling Stone Interview - Axl Rose. Del James for Rolling Stone. Read April 5, 2008.
http://www.gnrsource.com/articles/1989/08rs-axl.htm2 Axl (1992.04.02). I, Axl - Part III. Del James for Rip Magazine. Read April 5, 2008.
http://www.gnrsource.com/articles/1992/xx-rip3.htm3 Axl (1992). Axl Gets In The Ring. Chris Nadler for Metallix. Read April 5, 2008.
http://hem.passagen.se/snoqalf/m-meaning3.html4 Slash (September 1991). GnR on WNEW 102,7. Tommy Nast for Heavy Mental. Read April 5, 2008.
http://www.gnrsource.com/articles/1991/09-wnew.htm5 Slash (November 1992). Guitar From The Gut. John Stix for guitar For The Practicing Musician. Read April 5, 2008.
http://rattlesnakesuitcase.com/2006/06/14/guitar-for-the-practicing-musician-guitar-from-the-gut-1992/6 Axl (1992). Axl Gets In The Ring. Chris Nadler for Metallix. Read April 5, 2008.
http://www.heretodaygonetohell.com/articles/showarticle.php?articleid=767 Slash with Anthony Bozza (2007: p.262) Slash. Harper Collins
8 Slash with Anthony Bozza (2007: p.298) Slash. Harper Collins