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Author Topic: SciFaiku  (Read 1949 times)
MCT
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« on: October 25, 2005, 11:37:49 AM »

http://www.scifaiku.com/

The SciFaiku Manifesto

a declaration of the principles of SciFaiku
established July 1995


SciFaiku is a distinctive and powerful form of expression for science fiction. It packs all the human insight, technology, and vision of the future into a few poignant lines.

SciFaiku is haiku and it is not haiku. It is driven by the inspiration and many of the principles of haiku, but it takes its own direction. It deviates, expands, and frees itself of haiku.

What is SciFaiku?

SciFaiku takes its form from contemporary international haiku. A usual poem is 3 lines and contains about 17 syllables. The topic is science fiction. It strives for a directness of expression and beauty in its simplicity. Here is a representative example:

Asteroids collide
without a sound...
We maneuver between fragments.


Immediacy

While SciFaiku is open to experimentation and flexible in using the rules of its form, it nevertheless draws its inspiration from haiku. As with haiku, a poet strives to convey a sense of immediacy -- to capture a moment, to make readers feel that they are part of a scene. This immediacy might be obtained, for instance, by incorporating words that strike directly at the senses -- sounds, smells, visions... In striving for directness of expression, SciFaiku avoids abstract concepts and metaphors and describes rather than philosophizes. Leave the implications to the reader's imagination:

Digging up an ancient city,
finding the print
of a tennis shoe.


Minimalism

Like haiku, SciFaiku seeks terseness of expression. It is minimal and elegant. The standard length is 17 syllables. Traditional haiku is composed of 3 lines of 5, 7, and 5 syllables respectively. This is a useful guideline, but need not be followed strictly. More than 17 syllables is permissible if well-motivated. Fewer syllables or fewer lines are appropriate if the poem still successfully conveys a message:

Naked
he sees she isn't human


Science Fiction

Traditional haiku is about nature. SciFaiku is about science fiction. It need not contain elements of nature, though it may.

Traditional haiku contains a season word -- a word which evokes a season, as snow evokes winter or tulips evoke spring. SciFaiku often contains a "science" word that evokes a technology or science-fiction setting: words like space, genetics, robot, or laser. Every poem needs to clearly evoke a science-fiction premise as well as express its own observation of that premise, and this is perhaps the most challenging aspect of writing SciFaiku.

Technical words often involve many syllables, such as teleport, terraform, alien, or supernova. This adds challenge to keeping a poem concise, since there are that many fewer syllables remaining to complete a poem. One such difficult word is "biofeedback":

with biofeedback
to heal the burns:
I flip a burger, nonchalant


A few approaches can be taken to deal with this challenge:

-It is acceptable to spill over the limit of 17 syllables, particularly when the subject matter clearly involves a complex technical term (transmogrification -- already 6 syllables), though this should be avoided.

-Seek a substition for a longer word, e.g. droid instead of robot, but don't do this if it seriously reduces clarity or disrupts the mood of a poem.

-Sometimes SciFaiku can be written in a series. The first few can establish the science-fiction premise, which can be merely alluded to in subsequent poems. However, each poem should stand independently if at least the context is known.

Human Insight

Perhaps one of the most intriguing aspects of science fiction is how it provides deep insight into the human condition, even when the subject matter is computers or aliens. Not restricting itself only to the tangible, SciFaiku permits an exploration of the thoughts and feelings of characters within a poem:

In a ramjet -- wistfully thinking of you

(A Bussard ramjet, or ramscoop, is a spaceship powered by scooping interstellar hydrogen into a fusion reactor -- the implication is that the traveller is on a very long interstellar voyage, perhaps long enough that there is no intention of returning.)

http://www.planetmag.com/sfku.htm (Andrew G. McCann's SciFaiku Page)



Very funny. Some selections:

EXO-ARMOR (FutureWarKu)

Batteries are dead

Dawn breaks on the battlefield

Trapped in a barrel


TOLKU

INTREPID HOBBIT
(The Council of Elrond Convenes)


Behold brave Frodo

Ring-bearer, bound for Mordor

Better him than me


SAM'S DARKEST HOUR

Oh, Mr. Frodo!

Sir, watch out for that Gollum!

Cripes, this ain't worth it...


BASTARD SAURON

That bastard Sauron

Lording it over us all!

Him and his damn "Eye"


SARUMAN'S LAMENT

Consider the Orc:

Brutal, fetid, and hairy!

Just like my ex-wife


SARUMAN THE CHEF

Turkey bred with Orc

Let's gobble-gobble Goblin!

Where's my spoon 'n' fork?


STUPID BREE INKEEPER
FORGOT GANDALF'S MESSAGE


Old Barliman says

"One thing drives out another."

That's no excuse, pal!


POOR TOM

Poor Tom Bombadil

You were cut from the movie

just because you're gay


THE DRAGON

Ancient, evil Smaug

fire-breathing town-eater

may your farts explode


CORYTHOSAURUS RANCH

How now, brown dino?

Plucked from the late Cretaceous

Who knew? Delicious!


SNOWORLD



Rocket flames dwindle

in endless ammonia storms

No more supply ships


IF THIS IS TUESDAY...

So this is Day One,

When the Earth coalesces.

How hot. How boring.


BEAUTIFUL ACCIDENT

Down into Saturn

Golden cliffs spiral upwards.

Diamond windshield cracks


LAST-MINUTE NUKE STRIKE

Last-minute nuke strike

Called off as diplomats meet

At last! War Is Ov-


Anyway that's just a few of 'em. Check out the rest!

















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« Reply #1 on: October 25, 2005, 12:22:29 PM »

sounds interesting, but i just got back from 1 hour of football so i'm not in the mood. but it's interesting.

i don't see any point in making categories, let's call them haiku and say they can be about anything.
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« Reply #2 on: October 25, 2005, 03:17:24 PM »

very funny...but its always puzzled me how haikus are poetry...and how they are constructed  confused
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MCT
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« Reply #3 on: October 25, 2005, 10:24:27 PM »

i don't see any point in making categories, let's call them haiku and say they can be about anything.

It's said that a poem title should add something to the piece itself. And so it should. But much more potentially effective is making the title a part of the whole, an integral aspect, or the crux even!

This works especially well with short poetry. And in this particular case - scifaiku - it makes it what it is. Meaning the category name that is. And to miss that, well, read more is all I'm gonna say... ok

very funny...but its always puzzled me how haikus are poetry...and how they are constructed confused

And what is poetry to you?

As for how they're constructed, there are quite a few excellent resources out there that are only a Google away.

But basically we have a simple system of 5/7/5:

Boys have penises 5
Girls have those vagina things 7
Easy E is gay 5

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« Reply #4 on: October 26, 2005, 03:39:51 PM »

poetry is...expression of emotions in rhythm and verse evoking a connection between the reader and the writer

music is a step up where the additional connection between the body's rhythms with the musical sounds/rhythms and the poetic rhythms all combine...its a great feeling when all 3 are at their positive apex at the same (or similar) time or when you have contradictions at the same moment...does that make any sense?...

personally, poetry lacks that other dimension of music/sound...but i can still appreciate talent...

ill try to remember
the next time i write a haiku
im not a poet
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(Winston Churchill)"
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