CD currently being mixed?

[Skeletor]

Maybe it'll release the fucking fury??

Actually the word Yngwie used was 'unleash the fucking fury', which makes it even more ridiculous

[killingvector]

i think this buildup is as significant as any that has preceded a rumored release date.

[Buddha_Master]

"- Chinese Democracy is currently being mixed and will be released soon"

I just don't see how this is possible. Slash said Axl only recorded vocals on two tracks, and he knew that for a fact.

 

[youngerformofaxl]

Buddha Master:

You say the same dam' thing every time! Come up with some fucking substance in your posts!!!!!

[McGann]

"- Chinese Democracy is currently being mixed and will be released soon"

I just don't see how this is possible. Slash said Axl only recorded vocals on two tracks, and he knew that for a fact.

 

Good point.  I forgot! 
There's no hope.  The vocals have probably all been performed by Beta.

Buddha, you are the king, baby!
/Mike

[Gunner80]

Is it just me or have we been here before?

Yes we have.

[Buddha_Master]

Buddha Master:

You say the same dam' thing every time! Come up with some fucking substance in your posts!!!!!

Dude please. Until there is an official announcement, its the same old same old. I have been here for a long time waiting, and  his quote makes me fucking laugh. I think of it as a gift that keeps on giving.

If you want substance, I would suggest you find another bands board. GNR hasn't released anything substantial in almost 13 years. Substance is the furthest thing from reality in this mixed up crazy GNR land. Entertaining ourselves is what GNR fans do best.

If you want substance bro, wait till right before and after CD is released. Substance will be flying like a motherfucker then. But until then...smile.

[vicarious existence]

If you want substance bro, wait till right before and after CD is released. Substance will be flying like a motherfucker then. But until then...smile.

couldn't have said it better myself...

[DemocracyRose]

Check these sites....

http://66.102.9.104/search?q=cache:cw0-cYQ...n%27roses&hl=en

http://www.eltonjohn.com/greatest_hits_197...2/interview.asp

[oneway23]

i'm seeing nuttin

[DemocracyRose]

I dont know why they aint working..... But here there are:

Most recently, in 2001, on his best album in more than two decades, Songs From The West Coast, when Elton was determined to re-create the key elements of his vintage era, yes, Paul Buckmaster again was brought in to add his unique, cohesive elements. And he didn?t disappoint.

A classically-trained composer and conductor who began playing the cello at the age of four, Buckmaster also has worked with notable names such as Miles Davis and The Rolling Stones, and he?s written the musical score to several feature films. Earlier this year, he won a Grammy Award for a purely Paul Buckmaster arrangement on Train?s hit, Drops Of Jupiter. His recent work includes arrangements on new albums by Faith Hill and Guns N? Roses.

PAUL BUCKMASTER INTERVIEW

For close observers, it?s clear when Elton John is serious about a new piece of music: he calls Paul Buckmaster.

Beginning in 1970, with his haunting arrangements on the Elton John album, and throughout most of that decade when his compositions highlighted many classic Elton John albums, Paul Buckmaster?s role in creating the ?Elton John sound? has been as essential as Elton?s melodies, Bernie Taupin?s lyrics and Gus Dudgeon?s production.
Articulate, eloquent, well-read and always insightful, Buckmaster is a gifted musician who elevates a song with sounds that convey an endearing emotional connection.

James Turano spoke to Buckmaster over several months, the first time early in 2002, and later in October. During these sessions, the two discussed Buckmaster?s work with Elton, beginning at age 23, with his strong presence on 1970?s Elton John album, to key contributions more than 30 years later on 2001?s Songs From The West Coast.

James Turano: Congratulations. You?re now Grammy Award winner Paul Buckmaster.

Paul Buckmaster: Oh, thank you very much. It was a great honor to win the Grammy for best arranger.

JT: What were your thoughts when you heard your name read as the winner?

PB: My chances going in were very good because Drops Of Jupiter was such a big hit; it also won Song Of The Year, and would surely have won Record Of The Year, but for being trumped by U2.

JT: When word emerged that you were writing arrangements for Songs From The West Coast, it greatly heightened anticipation for the album for many fans.

PB: That?s very nice to hear; it?s both a pleasure and a challenge to work with Elton, and working on Songs From The West Coast was inspiring and fun.

JT: How did you ?get the call? this time?

PB: I received a call from Davey Johnstone, who initially described the new songs as vintage Elton and Bernie, but not a throwback; rather, a fresh approach that incorporated the best of their partnership. Later, I was formally invited by Patrick Leonard to join the project, which I think was due to Davey?s influence.

JT: Did producer Patrick Leonard give you free rein to write whatever you wanted?

PB: Patrick is a talented musician and composer, and he had some definite ideas as to what he wanted, but his direction was more of where to put the music within the songs. Pat gave me freedom to write my own ideas - as Elton has always done, throughout the years of our collaboration - but this time, Pat was a bit more controlling because he had already ?demo-sketched? his own ideas with synths and samples, and clearly wanted me to take that into consideration, which tended to block the free-flow of my ideas. But still, I?m pleased with the results, especially the all-too-short fade sections of both Mansfield and Original Sin. You know, through the years, I?ve given my imagination completely free rein, to come up with something different, exciting, and moving, and I know that?s why Elton calls me. There?s one piece I wrote during the Made In England sessions, for Live Like Horses, on which I was asked by Elton and producer Greg Penny, to do an ?Aaron Copeland- type approach? (their words) and because Elton?s piano-only demo was anything but Aaron Copeland, and because the vocal was separate from the piano on the multi-track, I was able to completely re-write the piano part. I radically changed the chords, harmonies, making it truly ?Americana? in its harmonic language. From there I built up a complete arrangement - drums, bass, 12-string guitar, percussion and a large string section. I think it?s one of the best arrangements I ever wrote. I don?t think it?ll ever be released, though; I think Elton wasn?t too happy with my radicalization -cause he would have had to learn my piano part!

JT: What is your writing process for Elton?

PB: It all starts with the songs. I just let it flow when I?ve got strong songs like those to work with. I generally write ?head to paper?, but I also work with a computer/midi-sampling system, into which I can load whichever orchestral or instrumental sounds I need. This allows me to do a fairly authentic sounding mock-up prior to going into the studio with a real orchestra, and it allows me to try out and retry various ideas. Working with a computer allows me to come close to the final arrangement during the writing process. Later, we record with a live orchestra. Elton?s songs and Bernie?s lyrics have definite moods and points-of-view, sometimes very visually evocative, and it?s my job to enhance and expand those emotions and sound images, and give them the dimensions and depth they require.

JT: These arrangements are in the classic Paul Buckmaster tradition. Songs like The Ballad of the Boy In The Red Shoes and This Train Don?t Stop There Anymore are soaring, panoramic in sound and scope, yet reminiscent of your great work on songs like Tiny Dancer, Levon, Holiday Inn and Indian Sunset. With your sound returning to Elton?s songs in such a dominant way, it made them sound like they should.

PB: Thank you. I didn?t consciously try to re-create a sound from the past. If they remind you of that early period, it may be because Elton and Bernie wrote songs similar in content and melody to that period, and that?s what I reacted to. Patrick?s production left many spaces to write through. It was a good situation for my arrangements to drive the sound when needed.

JT: There are quite a few songs that you contributed to on the new Elton John Greatest Hits 1970-2002 collection. Do you have any thoughts your work on these songs, such as Tiny Dancer, Levon and Believe?

PB: Well, yes, Tiny Dancer and Levon have both stood up well through the years. Gus really mixed the strings high for Tiny Dancer, didn?t he? And yes, I really do like Believe. For that arrangement I wanted to give the song the drama its words and music evoke. I am proud of those, yes, but there are other Elton songs that I am equally pleased with. For example, I really love Crazy Water (from the album, Blue Moves). I think that is an excellent song and I really like my arrangement on it. I?ve always felt the strings should have been higher in the mix on that one. I complained to Gus about that, even years later, when he was re-mastering Blue Moves. One Horse Town, from the same album, is another one of my favorites. Those two are among the best work I?ve done with Elton. Many of the songs that I like best are those that were not released as singles, like Have Mercy On The Criminal, Sixty Years On, Take Me To The Pilot, and many songs from Tumbleweed Connection.

JT: A great way to follow-up your latest work with Elton would be for you to once again conduct a live orchestra playing your arrangements behind him and the band in concert, similar to some of the early BBC appearances in the early 70s. Would you ever consider a tour like that if offered?

PB: I?d love that; it would be an opportunity to revise and expand on some of my writing. Doing that kind of concert or tour would be most wonderful for me, because Elton and Bernie?s song have certainly stood the test of time, and my arrangements have held up too. Much of Elton?s music inherently lends itself to orchestrations and arrangements, and anytime I?m asked to work with Elton and Bernie, I take it as a high personal and professional compliment. I keep very busy with a variety other musical projects, but it?s always special to receive that next call from Elton.


The second one:

These search terms have been highlighted:? paul? buckmaster? guns? n? roses?
 
 

--------------------------------------------------------------------------------
Page 1
Paul Buckmaster is represented byMMCCDDAANNIIEELL EENNTTEERRTTAAIINNMMEENNTT310.820.1177www.mcdanielentertainment.comPAUL BUCKMASTER(A) Arranger(C) Conductor(PMR) Performer(P) Producer(C/C) Co-ComposerAlbum?Single?ARTISTTITLECREDITTrain?Lincoln Avenue? & ?Your Every Color?My Private Nation2002 Grammy Winner ?Drops of Jupiter?Arrangement of the YearProduced by Brendan O?BrienA/CFaith Hill?You?re Still Here? & ?Safest Place To Hide?CryWB RecordsProduced by Byron

GallimoreA/CGuns N? Roses?Blues,? ?Twat,? ?Madagascar,? & ?Prostitute?Forthcoming ReleaseInterscope

Buddhism, Kukai.STEVIE NICKSNew York Concert featuring Eugene Bianco on Harp.

[mega_music]

Remember "SOON" is not the word

[youngerformofaxl]

Buddha Master:

You say the same dam' thing every time! Come up with some fucking substance in your posts!!!!!

Dude please. Until there is an official announcement, its the same old same old. I have been here for a long time waiting, and? his quote makes me fucking laugh. I think of it as a gift that keeps on giving.

If you want substance, I would suggest you find another bands board. GNR hasn't released anything substantial in almost 13 years. Substance is the furthest thing from reality in this mixed up crazy GNR land. Entertaining ourselves is what GNR fans do best.

If you want substance bro, wait till right before and after CD is released. Substance will be flying like a motherfucker then. But until then...smile.

I meant substance in your posts not the same dam posts all the time. It's okay to make jokes but come up with some new shit.

Aerosmith hadn't released anything for about 15 years and the're still around, so I don't wanna hear anything more about what Slash said about CD.

[duga]

Check these sites....

Please fix those links!

[Buddha_Master]

Buddha Master:

You say the same dam' thing every time! Come up with some fucking substance in your posts!!!!!

Dude please. Until there is an official announcement, its the same old same old. I have been here for a long time waiting, and  his quote makes me fucking laugh. I think of it as a gift that keeps on giving.

If you want substance, I would suggest you find another bands board. GNR hasn't released anything substantial in almost 13 years. Substance is the furthest thing from reality in this mixed up crazy GNR land. Entertaining ourselves is what GNR fans do best.

If you want substance bro, wait till right before and after CD is released. Substance will be flying like a motherfucker then. But until then...smile.

I meant substance in your posts not the same dam posts all the time. It's okay to make jokes but come up with some new shit.

Aerosmith hadn't released anything for about 15 years and the're still around, so I don't wanna hear anything more about what Slash said about CD.

Oh I know what you meant. Im glad you have given the okay to make jokes. You should think about dropping this announcement on everyone, maybe starting a new thread. I think its a pretty substantial announcement, that its okay to make jokes now, you know, as opposed to before. Speaking of jokes, just eyeballing your posts, its very apparent that you are a regular Chris Rock.

[DemocracyRose]

They seems to be working now....

http://66.102.9.104/search?q=cache:cw0-cYQKDqUJ:raystaar.com/mcdaniel/pdf/PAULBUCKMASTER.pdf+%22paul+buckmaster%22+guns+n%27roses&hl=en

http://www.eltonjohn.com/greatest_hits_1970-2002/interview.asp

[DemocracyRose]

Buddha Master:

You say the same dam' thing every time! Come up with some fucking substance in your posts!!!!!

Dude please. Until there is an official announcement, its the same old same old. I have been here for a long time waiting, and? his quote makes me fucking laugh. I think of it as a gift that keeps on giving.

If you want substance, I would suggest you find another bands board. GNR hasn't released anything substantial in almost 13 years. Substance is the furthest thing from reality in this mixed up crazy GNR land. Entertaining ourselves is what GNR fans do best.

If you want substance bro, wait till right before and after CD is released. Substance will be flying like a motherfucker then. But until then...smile.

I meant substance in your posts not the same dam posts all the time. It's okay to make jokes but come up with some new shit.

Aerosmith hadn't released anything for about 15 years and the're still around, so I don't wanna hear anything more about what Slash said about CD.

No releases in 15 years??? Where have you been???

Aerosmith:

Get A Grip 1993.

Nine Lives  1997.

Just Push Play 2001.

[vicarious existence]

No releases in 15 years??? Where have you been???

Aerosmith:

Get A Grip 1993.

Nine Lives? 1997.

Just Push Play 2001.

Does Honkin' On Bobo count?

[DemocracyRose]

No releases in 15 years??? Where have you been???

Aerosmith:

Get A Grip 1993.

Nine Lives? 1997.

Just Push Play 2001.

Does Honkin' On Bobo count?

Yes, but it is old blues-songs...

[RichardNixon]

No releases in 15 years??? Where have you been???

Aerosmith:

Get A Grip 1993.

Nine Lives? 1997.

Just Push Play 2001.

The correct statement would be no good album in the last 15 years...

At least Axl hasn't been like AeroSupply and released nothing but utter shit for the last decade and a half, although the cover CD that came out this year is pretty good.