Here Today... Gone To Hell!

Izzys parts on 'One in a million' (dirty sounding guitar coming out of the left channel) are just classic Izzy and some of the coolest parts he's played IMO. In fact it's one of the most enjoyable variables of any GNR song to me.

Also, Slash's solo is a stunner - the guitars on this song are just right - even Duffs accoustic rhthym part
What do people think?

As fascinating and intriguing (not to mention controversial) a song as Guns ever produced with every member on top of their respective games

Yeah, its a great song, but the topic of the song prevents it from truly being appreciated by the general public and media critics.

Exactly.  Change a few lyrics, add some drums...  Hmm...

IMO, it's the best rhythm guitar along with Rocket Queen. Izzy was just perfect with that overdriven guitar.

Duff work is ok. Slash solo is awesome, best accoustic solo in GN'R. I love playing this solo, it's really good to warm up before a rehearsal! :)

Axl's piano ending is gorgeous too. The mix is one of the bests - if not the best - work in all albums.

Oh, and leave the instrumental the way it is - drums would not fit right in this song.

It is one of the most honest songs ever recorded.  Its a story about a kid from Indiana who gets thrown to the snakes in the Jungle of LA.  I wouldn't change a damn thing on that song.

Fuck mass appeal and the media. This song wouldn't have kicked as much ass if it were a love song or whatever....the reason the song fits so great is also because of its lyrics.....there is absolutely nothing in that song that should have been different. My favorite GNR track ever!

That is a very heartfelt song, from all standpoints. I love it :yes:

But without those particular lyrics, I doubt we would've gotten the same reaction/sound, you can feel the anger, confusion, hurt in slash's guitar work. and Axl drug it out of him. It's unfortunate that Slash was so pissed about it but... it's hard to put to words i guess. It just kicks major ass : ok:

My favorite song tied with probably Dead Horse. One in a Million is one of the most complete songs GNR has ever done. Not only the lyrics, but the acoustic rythm & lead and electric guitar are amazing. Even the piano parts at the very end sound great.

Me and a friend of mine tried to cover a few times, but he says playing One in a Million hurt his fingers like a motherfucker after the first chorus. I've never known why...

You actually think Axl said *igger and faggots to get a confused hurtful sound from Slash? Hahaha. I agree its a beautiful song but Axl almost had it ruined with the subject line. Then he brought it back from suckiness with the cool chorus. It was close to being another SCOM...except for the lyrics.

Maybe it's just me, but I don't remember there being piano in One In A Million, I thought it was all acoustic guitar?
Looks like I'll have to go listen to it again!

At the very end of the song you can hear piano. But i never thought the piano was beautiful or anything. Just sounds like someone jamming.

No, i think the reaction he got was unintentional, but thats what made GnR so great, they brought the best out of each other.

They were rather serious about the song when they played live (which was only a couple times, btw) and on the CBGB video you can actually see and hear Duff look over at Slash and say "are you alright?" during that verse. To me that is one of GnR's most heartfelt songs and it was one of the songs that blew up their bad-boy image. you want GnR controversy? OiaM that's the controversy. The way i look at it is Slash knew where Axl was coming from with those lyrics and must've been ok with it cuz, first of all he played on the studio recording, and played it live, if it was that big of a deal I'm sure he would've just said "fuck you we're not doing it."

Also the 'N' word is hardly the only derogatory thing in there, it's funny how you type *igger, but are fine with typing immigrants and faggots, when he says those two with just as much unfreindlyness.

Yeah there is piano in there at the end, and I'm pretty sure the lead guitar is electric as well, not an acoustic with gain.

the song is perfect, i wouldn't change a thing. and i don't get why they call the song racist or whatever.

"Radicals and racists. don't point your finger at me, i'm just a small town white boy, trying to make ends meet" this pretty much makes it just a stand out point from his personal life, and not some facist manifesto or whatever ppl tried to made it look like.

the song is simple, and in it's simplicity lies the perfection of it all.

That tune represents the end of an era.? Also it seems Izzy had problems with the lyrics according to http://www.gnrinfo.tk

Izzy: I have a big problem with that lyric. I've talked to Axl many times about his lyrics. 'You don't need to say that, Axl. You're a fuckin' immigrant yourself. Everyone's a fuckin' immigrant in America. Don't you see you're putting down the whole of fuckin' America? And if they faggots, well so what? Axl... is very... confused. But I was pissed off. I was very against that shit going on our record. 'Why'd you have to say that, Axl. It's hard enough just gettin' by.' But at the same time, y'know, this is just fuckin' rock 'n' roll music. When it's fucked up, it's more interesting. Whoever said this was responsible music, y'know? We're not fuckin' role models. At all.'

Anyway besides the controversy, it's very emotional and yeah the piano in the end is perfect, everytime i hear that part reminds of my LP getting to the end.